It matters for a number of reasons… Provenance research in Croatia selected examples (PDF leaflet)
Zadar Summer School
PROVENANCE, WHY DOES IT MATTER?
Provenance, Dispossession and Traslocation Research
Martina Juranović Tonejc, Ministry of Culture of the Republic of Croatia, Zagreb
MOVEABLE ART OBJECTS IN LEGISLATION FROM 1941 TO 1999
Sandra Šustić, external associate at the Art Academy in Split and the Croatian Conservation Institute
CVITO FISKOVIĆ AND THE TRANSLOCATION OF ARTWORKS FROM DALMATIA DURING THE SECOND WORLD WAR
Danijel Ciković, Academy of Applied Arts, University of Rijeka
THE CASE OF PAOLO VENEZIANO’S SAINT LUCY POLYPTYCH: A HISTORY OF TRANSLOCATION BETWEEN TWO WORLD WARS
Branko Metzger Šober, independent researcher, Rijeka
IN THE FOOTSTEPS OF THE FORGOTTEN DONATION OF ITALIAN ACADEMICS AND KING VITTORIO EMANUELLE III TO THE CITY OF RIJEKA
Antonija Mlikota, Department of Art History, University of Zadar Patrizia Dragoni, Museologia, Storia della Critica d’Arte e del Restauro, University of Macerata
ALEXANDRINE VITREOUS CUP FROM ZADAR AND ITS VIVID DESTINY
Andreja Šimičić, Museum of Slavonia, Osijek
FRANCESCO VINEA’S PAINTING THE MARQUIS FROM THE COLLECTION OF OSIJEK’S LAWYER HERMANN WEISSMANN PRESERVED IN THE MUSEUM OF SLAVONIA
Ivan Ferenčak, The Croatian Academy of Sciences and Arts’ Strossmayer Gallery of Old Masters, Zagreb
PAINTINGS FROM THE ANTE TOPIĆ MIMARA COLLECTION IN THE STROSSMAYER GALLERY OF OLD MASTERS PRIOR TO THE DONOR’S ACQUISITIONS
Darija Alujević, Croatian Academy of Sciences and Arts’ Fine Arts Archive, Zagreb
PAINTINGS FROM THE ROBERT DEUTSCH MACELJSKI COLLECTION IN THE HOLDINGS OF THE STROSSMAYER GALLERY – FROM “STORAGE” DURING, TO MUSEALIZATION AFTER THE SECOND WORLD WAR
Iva Pasini Tržec, The Croatian Academy of Sciences and Arts’ Strossmayer Gallery of Old Masters, Zagreb
ON THE FATE OF A COLLECTION FROM ZAGREB
Ljerka Dulibić, The Croatian Academy of Sciences and Arts’ Strossmayer Gallery of Old Masters, Zagreb
THE REDISTRIBUTION OF SEQUESTERED PROPERTY AFTER THE SECOND WORLD WAR: HOW THE PAINTING THE ENTOMBMENT BY JACOPO PALMA JR. ENTERED THE STROSSMAYER GALLERY
Iva Pasini Tržec, The Croatian Academy of Sciences and Arts’ Strossmayer Gallery of Old Masters, Zagreb
FROM THE NETHERLANDS, OVER ENGLAND, YUGOSLAVIA, AND AUSTRIA, TO CROATIA: THE PROVENANCE OF THE PAINTING THE CARD PLAYERS BY PIETER JANSZ. QUAST FROM THE STROSSMAYER GALLERY IN ZAGREB
Antonija Mlikota, Department of Art History, University of Zadar Johanna Poltermann, Provenienzforschung, Staatsgalerie Stuttgart
THE JOURNEY OF KLEE’S GOUACHE ACROSS EUROPE
Marija Škegro, Graduate Student, Department of Art History, University of Zadar
WALLY NEUZIL, THE RECOGNIZABLE FACE OF PROVENANCE AND HER CONNECTION TO DALMATIA
Iva Pasini Tržec, The Croatian Academy of Sciences and Arts’ Strossmayer Gallery of Old Masters, Zagreb
RESEARCHING BACK MARKINGS TO REACH A PAINTING’S ORIGIN: THE CASE OF THE FLIGHT OF LOT AND HIS FAMILY FROM SODOM FROM THE STROSSMAYER GALLERY